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Grateful Dead Live at P.N.E. Coliseum on 1973-06-22




Set 1

Bertha
Beat It On Down The Line
Deal
Mexicali Blues
Box Of Rain
Bird Song
The Race Is On
Sugaree
Looks Like Rain
Row Jimmy
Jack Straw
China Cat Sunflower ->
I Know You Rider
Big River
Tennessee Jed
Playing In The Band

Set 2

Here Comes Sunshine
The Promised Land
Brown Eyed Women
El Paso
Black Peter
Greatest Story Ever Told
Big Railroad Blues
He's Gone ->
Truckin' ->
Nobody's Fault But Mine Jam ->
Bass Solo ->
Jam ->
The Other One ->
Wharf Rat ->
Sugar Magnolia
Casey Jones

Encore
Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Venue P.N.E. Coliseum
Location Vancouver, BC, Canada

Source MSR>PCM>DAT>CD>EAC>WAV
Taped by Main source discs provided by Andy Lemieux.
Transferred by encoding by Sean Cribbs.

Notes

This new fileset was re-tracked (Jam and tuning, etc. moved to end of tracks),
re-patched, and encoded in FLAC on 11/9/2007.

Main source discs provided by Andy Lemieux.
MSR>PCM>DAT>CD>EAC>WAV supplies Bertha through cut in The Other One (d4t04);
MAC>R>R>CD>DAT>WAV>SHN (from shnid=16889) supplies various patches and Johnny B. Goode (see below);
MSC>R>C>WAV>FLAC (from shnid=85957) supplies patches in The Race Is On (d1t07) and I Know You Rider (d2t05)
MSR>C>DAT>CD>EAC>WAV supplies end of The Other One (d4t04) through end of set 2.

EAC extraction, editing using Cool Edit Pro 2.0, and FLAC encoding by Sean Cribbs.
Shntool was used to verify/correct all track sector boundaries.

Reviews

Reviewer: njpg - - June 25, 2013
Subject: -
This Other One is one of the more astonishing things I've ever heard. Great Sound. A variable, intense show.
Stream Only
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on 4/30/2008
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Source: Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes;
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Source: Recorded, Transferred and Mastered by N. Hoey (tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B) (tracks 01-11 TDK SA-X C 90 ~ tracks 14-26 Maxell UDXL IIS C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD.
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Source: Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Schoeps MK4's>Rbox>Technics SV-MD1
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Source: Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
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Source: Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row DD, Seat 2 by Bob Morris